ANALISIS TARI SILAMPARI KAYANGAN TINGGI (Studi Etnografi Di Kota Lubuklinggau)
Abstract
ABSTRACT
This research was carried out with the aim of finding out and analyzing the meaning of the Silampari Kayangan Tinggi Dance which is part of the culture of the people of Lubuklinggau City, both the meaning of the clothes they wear and the meaning of their movements, as well as analyzing the values of local wisdom contained in the Silampari Kayangan Tinggi Dance. The method used is qualitative with an ethnographic study approach that does not only rely on documentation studies but also with field studies as supporting such as in-depth interviews. Informants were selected based on criteria while data analysis was carried out using qualitative data analysis techniques that have been developed by Spradley. For the validity of the data, the truth will be tracked through triangulation techniques. The results of the study show that (1) the clothes used in the Silampari Kayangan Tinggi Dance symbolize politeness, politeness, and ethics when welcoming guests. (2) The resulting Silampari Kayangan Tinggi Dance Movement is a movement that contains values, namely gentleness and consistency. Dance movements are divided into two, namely meaningful movements and pure movements. Meaningful motion is motion that contains a clear meaning, while pure motion is motion that describes something symbolically. (3) The Silampari Kayangan Tinggi Dance contains local wisdom values that can be applied in daily life, including the values of manners, gentleness, consistency, privilege of guests, mutual respect, mutual respect, humility, care, harmony or familiarity, patience, responsibility and cooperation.
Keywords: Silampari Kayangan Tinggi Dance and Value of Local Wisdom
References
Ayuningtyas, H. W., & Syahrial. (2020). Bentuk dan Fungsi Tari Silampari Kayangan Tinggi di Lubuklinggau Sumatera Selatan. Greget, 19(1), 31-41. doi: 10.33153/grt.v19i1.3183.
Azman, Mohammad. (2015). “Tari Silampari”. Makalah, Dinas Kebudayaan dan Pariwisata Lubuklinggau.
Badaruddin, S., & Masunah, J. (2019, February). The Style of Silampari Dance of Lubuklinggau as a Greeting Dance in South Sumatera Indonesia. In International Conference on Arts and Design Education (ICADE 2018) (pp. 65-69). Atlantis Press.
Islamita, Y. D., & Maharani, D. (2022). Studi Semiotika Tarian Silampari Kayangan Tinggi yang Dipertahankan Komunitas Bening Di Kota Lubuklinggau. Jurnal Inovasi, 16(2), 45-51.
Kurniawati, Desti. (2015). Bentuk Penyajian Tari Silampari Kahyangan Tinggi Pada Kota Lubuklinggau Sumatera Selatan. Skripsi Pendidikan Seni Tari, Fakultas Bahasa dan Seni, Universitas Negeri Yogyakarta
Lestari, T. D., & Sa’adah, N. (2021). Pendidikan Multikultural Solusi Atas Konflik Sosial: Indikasi Intoleran Dalam Keberagaman. Jurnal Sosiologi Pendidikan Humanis, 6 (2), 140-154.
Levia, N. (2020, August). Comparative Study of Silampari Kayangan Tinggi Dance and Sambut Silampari Dance at Lubuklinggau City. In International Conference On Social Studies, Globalisation And Technology (ICSSGT 2019) (pp. 92-97). Atlantis Press.
Miles, Matthew B. dan A. Michael Huberman. (1994). An Expanded Source Book: Qualitative Data Analysi. London: Sage Publications.
Nismawati, N., Oruh, S., & Agustang, A. (2021). Eksistensi Tari Kabasaran Pada Masyarakat Minahasa. Jurnal Ilmiah Mandala Education, 7(4).
Pratiswa, S. A. (2014). Rekonstruksi Tari Sambut Silampari di Kabupaten Musi Rawas. Gelar: Jurnal Seni Budaya, 12(2).
Putri, Chintia Gustiani. (2015). Bentuk Penyajian Tari Sambut Silampari Kayangan Tinggi Di Kota Lubuklinggau.
Spradley, J. P. (2006). Metode Etnografi, terj Misbah Zulfa Elizabeth. Yogyakarta: PT. Tiara Wacana.
Syarofe, Yudhy. 2013. Tari Sambut di Sumatera Selatan, Palembang, OKU, dan Lubuklinggau. Dinas Pendidikan Provinsi Sumatera Selatan.
Yati, R. M., & Sustianingsih, I. M. (2020). Visualisasi dan Makna Simbol Busana Tari Turak Kabupaten Musi Rawas. Gelar: Jurnal Senin Budaya, 18(2), 78-87.
